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WHO AM I?

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My name is Angelina Stankina. I am a motion designer graduating from HSE University (Class of 2026). I thrive on giving life to static forms through pacing, visceral movement, and raw visual tension. Above all, my work is driven by the dynamic intersection of animation, rhythm, and sound design — synchronizing tactile motion with acoustic cadence to construct immersive screen experiences.

I  see motion design not only as  a  tool for corporate media, but
as  a  medium for storytelling, atmospheric world-building, and critical inquiry.

Tools I work with: Adobe Creative Cloud, Figma, Blender, NodeBox, DIALux, Generative AI Tools

MOTION DESIGN

EDUCATIONAL EXPLAINER —
UNCANNY VALLEY

The Uncanny Valley is an educational motion explainer exploring the psychological phenomenon where humanoid entities evoke feelings of unease and revulsion.

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Исходный размер 1138x640

Rather than taking a purely clinical or scientific approach, this explainer examines the uncanny valley through the lens of body grotesquerie, digital alienation, and contemporary conspiracy mythologies.

Исходный размер 1138x640

The visual style plays with the boundaries of human anatomy — shifting synthetic skin, unnatural physical proportions, and hyper-polished surfaces to evoke instinctual discomfort and somatic tension.The narrative playfully deconstructs internet mythology and conspiracy folklore surrounding the global elite (such as the reptilian trope), framing the hyper-wealthy as robotic, alien, and detached from human empathy.

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SPEC TITLE SEQUENCE —
NO COUNTRY FOR OLD MEN

A conceptual main title sequence for Joel and Ethan Coen’s neo-western thriller No Country for Old Men. The project’s objective was to rethink the opening narrative, translating the film’s themes of fatalism, moral desolation, and inevitable violence into a cohesive typographic and cinematic language.

Исходный размер 3500x1968

The visual identity of the sequence is built entirely on symbolic metaphors derived from the film’s narrative, translated into a slow, oppressive atmosphere of looming inevitability. Through continuous, fluid morphing animations, silhouette forms dissolve and mutate into one another, reflecting the fatalistic entanglement of the characters.

Исходный размер 3500x1968

Archetypal silhouettes shift dynamically — a sheriff’s hat smoothly morphs into the skull of a bull, representing Sheriff Bell and Anton Chigurh, while living bovine imagery embodies Llewelyn Moss as the hunted prey.Elements bleed and transform continuously, such as liquid blood resolving into the hard contours of coins, visualizing the transaction of violence and fate.A searing palette of burnt ochre, amber, and deep dusk tones mirrors the unforgiving Texas desert, contrasted with heavy negative space and dense shadows to maintain sustained psychological tension

Исходный размер 3500x1968
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BRANDING & MOTION

IDENTITY & MOTION PROMO —
INLEDGER.ARCHIVE DIGITAL ARCHIVE

Inledger.archive is an independent digital archive dedicated to cataloging and preserving historical photographs of North American Indigenous cultures sourced from public American library collections. The primary objective was to build a comprehensive visual identity and craft a promotional video that bridges archival historical documentation with contemporary tactile animation.

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