BRIEF Create two distinct visual languages (typographic vs. graphic) to express the same underground cultural context.CONCEPT Core Idea: The poster as visual research. Form becomes content.Typographic Approach: Text as raw material. Overlapping, blurred English phrases create visual «noise» and density, metaphorizing information overload and the search for identity.Graphic Approach: The stone as a monumental object. Minimalist, ironic Cyrillic typography contrasts with the heavy, raw stone, symbolizing the solid, unpolished underground.

DESIGN SYSTEM Grid & Composition: Free, collage-like density for the typographic series vs. structured, object-centered negative space for the graphic series.Typography: Distorted sans-serifs and blurred text for chaos; stretched architectural Cyrillic headlines for monumentality; Hangul (Korean) script for international indie music vibes.

THE OUTCOME Four independent but dialogically linked poster series. The project functions not just as event promotion, but as a genuine visual research into the nature of the poster, text, and image.