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what we almost miss

{PHOTOGRAPHY AS ATTENTION}

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I am interested in the things that often remain in the background: familiar objects, fleeting details, changing light, and the atmosphere of places we think we know.Photography allows me to slow down, observe, and turn these moments into visual stories.

{FROM A MOMENT TO A STORY}

observeNotice a detail, a gesture, or a shift in light.frameDecide what to include — and what to leave outside the image.collect

Bring individual photographs together through mood, rhythm, and visual connections.sequence

Create a series that invites the viewer to look beyond a single frame.

projects

[MY LIFE, WHAT HAS BECOME OF YOU?]

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a photographic zine.a collection of everyday fragments, objects, and moments brought together through photography and editorial sequencing.format: Photography / Photo zine

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{ORDINARY THINGS, PERSONAL MEANINGS}

how can ordinary scenes become more than simple records of everyday life?this project brings together familiar objects, intimate moments, and fragments of the surrounding world. Their meaning emerges through the relationship between the images rather than through a single photograph.

each photograph works as a fragment of a larger whole.by combining close-up details, still-life images, and wider scenes, the sequence creates a rhythm between intimacy and distance, recognition and uncertainty.

{LOOKING OUTWARD}

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from the fragments of everyday life to the spaces we move through.the next project shifts the focus toward the city and the museum — places where architecture, light, and overlooked details can change the way we see the familiar.

two photographic series about the act of looking.

one turns away from museum exhibits toward details that might otherwise go unnoticed. The other explores silence within the city through cold tones, fog, and blurred outlines.series [01] — A Glance Asideseries [02] — In Blue Silence

[a Glance Aside]

what happens when we stop looking at the main attraction?photographed in a museum, this series follows the moment when attention shifts from the exhibits themselves to barely noticeable details — reflections, frames, light, shadows, and fragments of the interior.

[in Blue Silence]

how can a city feel silent even when it is full of noise?this series explores the feeling of solitude within an urban environment. Cold colours and blurred outlines of fog transform familiar streets into a space of distance, stillness, and physical presence.

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LET’S LOOK CLOSER.

photography is my personal practice — a way to observe, collect, and interpret the world around me.

I’m interested in creative collaborations with studios, editorial teams, and visual storytellers who value atmosphere, observation, and thoughtful image-making.

get in touch. @me

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