Референсный проект
В своём предыдущем проекте я занимался разработкой фирменного стиля для музыкального фестиваля Afterlife, который проходил в рамках одноимённого фестиваля. Музыка, звучащая на этом фестивале, не оставляет равнодушным: она побуждает к размышлениям, уносит прочь от повседневных забот и помогает заглянуть в глубины своего сознания, где можно найти мысли, которые обычно остаются незамеченными в обычной жизни.
Нейросетевой проект
Весь проект был создан с помощью нейросети Midjourney. Для создания визуального оформления я использовал новую функцию мудборда, собрав множество работ любимых художников, таких как Здислав Бексиньский, Марк Ротко, Джексон Поллок, Пикассо и Гюстав Доре.К каждой генерации буду оставлять конкретный промт.
Пространство, в котором будет проходить концерт
hyper realistic photo of a a dark, immersive industrial warehouse reimagined as a hauntingly ethereal venue for an experimental musical event. The room is enveloped in shadow, with only faint ambient lighting directed at the central stage, where the musicians perform. The stage is minimal yet striking, framed by translucent fabric panels that subtly ripple in the air, their edges glowing with dim, shifting hues of red and white light, casting ghostly reflections onto the surrounding mist-filled space. The cracked concrete walls, streaked with rust and aged stains, form an ominous backdrop, their textures catching faint highlights from the ambient lighting. Hanging from the high, exposed steel beams are dark chains, loose cables, and angular acoustic panels, all barely visible in the low light, adding to the room’s unsettling and surreal atmosphere. The stage is the focal point, designed to merge music with abstract artistry. Modular synthesizers, black speaker towers, and asymmetrical stands for sound mixers are arranged in a visually striking yet functional layout. Cables snake across the floor, their purposeful disorder adding to the raw industrial aesthetic.
The performers are partially silhouetted by the soft, ambient glow, creating an almost spectral presence as they play. The sound design transforms the room into an auditory journey. Deep, resonant bass rumbles through the space, making the walls and floor vibrate subtly, while haunting melodies and high-frequency tones echo through the darkness. Surround sound systems are positioned around the room, ensuring the music envelopes the audience, creating an immersive sonic experience that feels otherworldly. The minimal lighting shifts in sync with the music, alternating between dim red pulses and faint white beams, accentuating the emotional intensity of the performance. Abstract metallic sculptures near the stage act as both visual art and acoustic elements, subtly reflecting light and shaping the sound. The space feels alive with the interplay of sound and shadow, blending fear and transcendence. The room’s eerie yet ethereal design amplifies the music’s emotional depth, making this event not just a concert but an immersive, transformative experience. --chaos 25 --ar 16:9 --style raw --profile 6571qu5 --stylize 550 --weird 300 --v 6.1
Постеры
Постеры к концерту
промт 1: https://s.mj.run/bNb_xOA5cuA A minimalistic typography oil poster with «AFTERLIFE» abstract and chaotic letters dominating the frame, ultrawide experimental lettering made of cracked oil paint, molten bronze and decaying flesh textures, each letter sculptural and eroding, painted in style of Zdzisław Beksiński, textural details like Gustave Doré etchings, swirling burnt sienna and deep crimson background, thousands of blurred watching eyes hidden in shadows, warped musical instruments melting into skeletal forms and alien architecture, glowing hieroglyphics, warm diffused lighting with fiery orange --chaos 100 --ar 9:16 --stylize 800 --weird 3000 --v 6.1
промт 2:https://s.mj.run/bNb_xOA5cuA poster in immersive industrial warehouse reimagined as a hauntingly ethereal venue for an experimental musical event. The room is enveloped in shadow, with only faint ambient lighting directed at the central stage, where the musicians perform. The stage is minimal yet striking, framed by translucent fabric panels that subtly ripple in the air, their edges glowing with dim, shifting hues of red and white light, casting ghostly reflections onto the surrounding mist-filled space. The cracked concrete walls, streaked with rust and aged stains, form an ominous backdrop, their textures catching faint highlights from the ambient lighting. Hanging from the high, exposed steel beams are dark chains, loose cables, and angular acoustic panels, all barely visible in the low light, adding to the room’s unsettling and surreal atmosphere. The stage is the focal point, designed to merge music with abstract artistry. Modular synthesizers, black speaker towers, and asymmetrical stands for sound mixers are arranged in a visually striking yet functional layout. Cables snake across the floor, their purposeful disorder adding to the raw industrial aesthetic.
Постер к концерту
https://s.mj.run/snpDNRMPHrc A minimalistic typography oil poster with «AFTERLIFE» abstract and chaotic letters dominating the frame, ultrawide experimental lettering made of cracked oil paint, molten bronze and decaying flesh textures, each letter sculptural and eroding, painted in style of Zdzisław Beksiński, textural details like Gustave Doré etchings, swirling burnt sienna and deep crimson background, thousands of blurred watching eyes hidden in shadows, warped musical instruments melting into skeletal forms and alien architecture, glowing hieroglyphics, warm diffused lighting with fiery orange --chaos 30 --ar 3:4 --profile oi2izbw --stylize 350 --weird 900 --v 6.1
Обложка
Обложка для альбома
https://s.mj.run/bNb_xOA5cuA An abstract, highly textured, and imperfect album cover in the style of Jackson Pollock and Mark Rothko, featuring thick, layered oil paint with visible brushstrokes, smudges, and cracks. ghostly silhouettes, or disembodied hands emerge from chaotic, raw paint splatters and decayed textures. The composition is dark and haunting, blending deep blacks, ashen greys, muted blues, and rusty reds. The mood is eerie, introspective, and surreal, evoking themes of consciousness, decay, and the afterlife. Experimental and painterly, with a minimalistic yet chaotic aesthetic. --chaos 60 --stylize 600 --weird 2000 --v 6.1
Логотип фестиваля
Лого для фестиваля
An abstract, textural logo for a festival titled 'Afterlife, ' designed in a minimalistic, hand-painted oil style. The design features a fragmented, imperfect shape, such as a broken circle or distorted infinity loop, evoking emptiness and the vastness of consciousness. Visible brushstrokes and oil smears dominate the composition, creating rough, uneven textures with cracks and imperfections. The word 'Afterlife' is integrated into the design in a surreal, hand-painted style, with jagged, uneven typography that appears eroded, faded, or partially smudged. Dark, muted tones--black, charcoal gray, deep navy blue--are accented with subtle streaks of rust-red and ash-gray highlights. The overall design is highly abstract, raw, experimental, and unsettling, blending minimalism with chaotic, layered textures, as if painted directly onto a decaying canvas. Vector-based but with the rich detail of oil on canvas --chaos 30 --profile oi2izbw --cref https://s.mj.run/bNb_xOA5cuA --stylize 350 --weird 1000 --v 6.1
