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Hi, I’m Anna.
I’m a multidisciplinary designer working across editorial design, visual communication, digital experiences and product design.What interests me most is the process of turning complex subjects and everyday observations into clear, engaging design solutions.I enjoy exploring how typography, composition, materials and interaction can shape the way people perceive and experience information and objects.What I Do
01 / Editorial Design
Books, magazines, publications and typographic systems.02 / Visual Communication
Information design, visual concepts and structured storytelling.03 / Digital Design
Digital longreads, layouts and interactive experiences.04 / Product Design
Object concepts, form exploration and physical prototyping.Five projects.
Five different perspectives.
I approach each project as an opportunity to investigate a subject, experiment with different directions and develop a solution that connects concept, form and function.The process is not always linear. Sometimes an unexpected visual detail, a material limitation or a new observation changes the direction of the work. I see these discoveries as an important part of designing.
A selection of projects exploring culture, visual storytelling, information, editorial design and everyday objects.
01/Chinese Culture
An exploration of Chinese cultural imagery through editorial design, typography and visual composition.02/Tattoo
A digital exploration of tattoo history and styles, combining structured storytelling with interactive elements.03/Smolenskoye Poozerye
A calendar inspired by the lakes of Smolenskoye Poozerye National Park, using depth as a visual organizing principle.04/OBJECT
A magazine exploring upholstered furniture through editorial structure, visual rhythm and page composition.05/DogBowl
A modular wooden stand for a dog’s feeding bowl, developed through research, form exploration and hands-on prototyping.01/Chinese Culture
A book project that brings together cultural research, typography and visual composition to explore traditional Chinese imagery and its presence in contemporary visual culture.
The Challenge
How can a publication communicate the richness of a cultural subject while remaining visually coherent and engaging?The challenge was to organize diverse visual and textual materials into a book with a recognizable graphic language. The design needed to support the content, establish a clear reading hierarchy and create a meaningful relationship between traditional imagery and contemporary editorial techniques.
Finding a Visual Language
The visual direction developed around the relationship between cultural imagery and typography. Chinese characters, contrasting scales and carefully arranged images became important elements of the publication’s graphic language.
The Final Publication
The result is an editorial project that brings cultural imagery, typography and composition into a unified visual system.Through this work, I explored how book design can do more than present information: it can establish a particular atmosphere, guide attention and offer a visual interpretation of the subject.
02/Tattoo
Tattoo is a digital longread dedicated to the history and visual diversity of tattooing.The project combines editorial storytelling, expressive typography and interactive elements to present the subject in an engaging and structured way.
